Based in Madrid, with formative years spent between Berlin and the Atlantic coast where he was born, Pablo Ozo has developed a recognizable pictorial language built on a singular tension: hybrid figures suspended between refinement and instinct, a sustained negotiation between social legibility and the older, slower currents of desire. Working in oil and charcoal, his practice constructs what might be called an emotional portraiture: the painting of inner weather rather than outward likeness.

By twenty-five, Ozo’s work has been exhibited in Madrid, Berlin, Paris and London, and is held in private collections across Europe, Asia and the Americas, hanging alongside works by Yayoi Kusama, Jaume Plensa and Daniel Arsham. He has developed long-term creative partnerships with international institutions including Four Seasons, where he has been a recurring artistic collaborator, and with the Aldebarán Collection.

States of Alignment marks his first exhibition in Asia and the most ambitious body of work he has presented to date. A second international presentation follows in Shenzhen later in 2026, with additional projects in development across Asia and the Middle East.